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Perl library and command-line application for reading, writing and editing meta information (EXIF, IPTC, XMP, and more) in a wide variety of file formats (JPEG, TIFF, PNG, PDF, RAW, and more). Photo locations in Lightroom are (intended to be) the location of the camera at the moment the shot was taken, and could be a long distance from what’s seen in the photo. Can you explain how your tool correctly positions the coordinates of the image from the metadata onto Google Earth? Also, do you know of a more precise way to overlay a georeferenced image onto Google Earth? Is there a difference between default coordinate systems? Thanks! Google supplies anchors to reposition and resize the image, but this seems totally against the point of importing a georeferenced image. However, when I use the image overlay tool in Google Earth Pro, the tiff file is not positioned correctly over the field. I noticed that when I open the “Map via embedded coordinates” link (I am using Google) that the pin is indeed positioned correctly over the area of interest (a vineyard). I am working with georeferenced images (RedEdge multi-spectral sensor). Many have their Exifįinally, I should note that my viewer makes use of Phil Harvey's most The shutter count is read directly from USB or Wi-Fi connected Canons, and from image files for Nikon and Pentax cameras. I use the viewer a lot on images I see in the Digital Photography Review Samples and ShutterCount displays the number of shutter actuations (the shutter count) of your Canon EOS, Nikon or Pentax digital camera - see the complete list of certified models below. You're viewing a page with an image you want to check out, just click theīutton and you'll be whisked to a new tab showing the image's data. Safari, you have the added benefit that you can install an Exif-viewerīutton on your button-bar toolbar. You can also check images on your local hard drive - images directly fromĪ camera generally have the most information. A Qualitative Analysis of NEF Compression.Photoshop Calendar-Template-Building Script. ![]() The binaural filtering processor was the result of working with Durand Begault at NASA-Ames Research Center. The development of SoundHack led to a number of interesting collaborations. The focus was simply sound, synthesis and music. There were no design or research motivations to SoundHack at this point. We were far from applying ‘studio as an instrument’ techniques to the computer, but it was a start. SoundHack could fill these gaps and allow one to use multiple music software as well as hardware samplers. For example, Csound used the IRCAM file format, Sound Designer II used the SD2 format, the AIFF format had just been announced (Apple Computer 1989). At the time, the tools that we used all had their own sound file formats. There was also a very practical motivation for the development of SoundHack. ![]() Not only was I excited by the sonic possibilities of these techniques, but I was also excited at what sonic creations experimental and electronic musicians might make with them. I became aware of much of the interesting research in computer music during my time as a research assistant at the Center for Music Experiment at UC San Diego (1984–87). My main motivation for programming SoundHack was to make new computer music techniques easily available to the experimental musician community. I bought a book on programming with Think C and the Mac Toolbox, and started work on SoundHack (Figure 1). When production moved from Oakland to NYC in the fall, and Tom Hamilton took over my role, I finally had time to create the tool I no longer needed for Improvement, but wanted regardless. Instead, the airport was created with reverb, live equalisation and panning, and the Greek chorus modulated a gated Buchla Touché drone providing the pitched resonance. Unfortunately:, the CCM did not own an expensive Unix workstation to run the CARL software distribution (Loy Reference Loy2002), and my attempts to quickly port Mark Dolson’s convolvesf application to a Macintosh System 6 were too difficult to complete while following our 60 hour a week recording schedule. I realised that to sculpt this sound I really would have liked to use sound-file convolution for cross-synthesis. When developing the treatments for the Greek chorus and scene 2, ‘The Airline Ticket Counter’, I needed to create specific spaces and resonances that followed the score and conveyed the location, the relation of the characters and any subtext. The character Don (played by Thomas Buckner) was a tap dancer, hence a layer of Tom’s vocals containing only plosives and fricatives that I filtered and gated for more percussive effect. This represented both her constant internal dialog and her mnemonic system in ‘The Contents of Her Purse’. For instance, the protagonist Linda’s voice (played by Jacqueline Humbert) was recorded with multiple layers: spoken, sung, echoed and spatialised. With our ‘studio as an instrument’ (a Lexicon PCM70, Drawmer dynamics processor, Alesis Quadraverb, mixer, 24-track and Opcode Vision to automate parameters), David Rosenboom and I were to develop vocal treatments and backgrounds specific to each scene and to each performer. One of my main tasks was to develop unique sonic identities for each of the characters in the opera. We worked at the recording and electronic music studios of the Center for Contemporary Music at Mills College. In the spring and summer of 1989 I was engaged as a recording engineer and electronic musician (along with David Rosenboom, Tom Hamilton and Sam Ashley) for the recording of Robert Ashley’s opera Improvement (Ashley Reference Ashley1992). Robert Ashley and the beginning of SoundHack ![]() After attending La Cañada High School, he went to the University of Nevada, Las Vegas, first majoring in hotel management, then business. Murchie came to teaching through a circuitous route. (Efforts to reach her for this story were unsuccessful.) Murchie helped many students, myself included, appreciate writing,” Juarez said in a press release. “Besides increasing our societal awareness, Mr. Murchie taught Juarez in Advanced Placement English and was also the faculty advisor for the student-run paper, The Scuttlebutt, which Juarez served as editor in her senior year. But I got emails, texts, all kinds of things. I mean, I didn’t even realize they remembered who I was. “In a two-day period I heard from more students over my career than I ever had. ![]() ![]() “I don’t think I ever really understood the power of social networking until that article came out,” Murchie told LA School Report during a phone interview. Since receiving the award, and since LA School Report posted a story about it last week, Murchie said he has been inundated with messages from former students. Garfield Senior High School teacher Kevin MurchieĪs a boy, Kevin Murchie saw the award-winning film “Stand and Deliver,” the true story of Jaime Escalante, the Garfield Senior High math teacher who inspired his Latino students to overcome gang violence and poverty in east Los Angeles.Ī Caucasian boy growing up in the upper class community of La Cañada Flintridge, Murchie said there was no way he ever thought he would one day become a teacher, and certainly “no way did I ever think I would be teaching at that school someday.”īut some life changing events led Murchie to realize in his mid-20s that he wanted to teach, and after 11 years at Garfield, his dedication recently earned him some national recognition when he became one of only 53 teachers to receive the prestigious 2014 Yale Educator Award.Ī former Garfield student, Janet Juarez, a freshman at Yale who credited Murchie with inspiring her as a student, nominated him. To learn more information about the Hughes JUPITER System, visit the website. ![]() A multi-service platform, the system powers direct-to-home satellite internet services, Community Wi-Fi hotspots, enterprise networks and cellular backhaul, with available software-defined networking and cloud-delivered management. The Hughes JUPITER System is the satellite ground platform, enabling services on geostationary satellites around the world. This deployment follows that of several service providers, including Stargroup, that are employing Hughes JUPITER System technology to connect more than 7,200 Community Wi-Fi and internet access sites across Mexico. At each location in the deployment, a Hughes remote terminal (model number HT2524), designed and optimised for LTE backhaul (including support for GTP acceleration), powers services at 20-60 Mbps down, ensuring fast and reliable internet connections for individual users. Powering connections from each cell tower to the network core, the Hughes JUPITER 2 satellite provides the bridge connecting rural mobile phone users to the internet with reliable, high-speed Ka-band capacity and enterprise-grade service level agreements to meet the criteria for service delivery set by CFE Telecom. “We’re proud to continue supporting Stargroup in their important work connecting the unconnected as part of the Internet para Todos programme.” “Stargroup’s choice of a managed service that combines our high-throughput JUPITER satellite and high-performing ground system will bring more Mexicans the connectivity they need for work, school, community and more,” says Ramesh Ramaswamy, executive vice president, international, EchoStar. “In areas of the country outside the reach of fibre, the only way to access the internet is by satellite, and Hughes JUPITER technology sets the standard when it comes to LTE backhaul by satellite.” “The government has made it a priority to extend internet access to every municipal capital in Mexico, and we are proud to help achieve that objective together with Hughes,” says Monica Aguirre, chief executive officer, Stargroup. As part of the Mexican government’s Comision Federal de Electricidad (CFE) Telecomunicaciones e Internet para Todos initiative to help bridge the digital divide, Stargroup is connecting hundreds of remote cell towers using Hughes JUPITER System terminals and Hughes JUPITER 2 high-throughput satellite capacity. Hughes Network Systems, LLC, an EchoStar company, has announced that Stargroup, a Mexican telecommunications and entertainment company, has selected the Hughes JUPITER System and managed satellite broadband to extend LTE service to customers in rural communities. Hughes, Stargroup extend mobile networks in Mexico ![]() Then try running a development instance of your new Next.js app using: npm run dev Make sure that the terminal path is pointed to your project directory (ie. Open the WSL terminal integrated in VS Code ( View > Terminal). npm start for starting your app in production mode.npm run build for compiling your project.npm run dev for running a development instance with hot-reloading, file watching and task re-running. ![]() There are 3 commands you need to know once Next.js is installed: This means that while you are using VS Code for editing on the Windows OS, it is still running your app on the Linux OS. Notice that VS Code opened your app in a WSL-Remote environment (as indicated in the green tab on the bottom-left of your VS Code window). This will allow you to look at the Next.js framework that has been created for your app. Once the package has been installed, change directories into your new app folder, cd my-next-app, then use code. Install Next.js and create a project (replacing 'my-next-app' with whatever you'd like to call your app): npx create-next-app my-next-app. To install Next.js, which includes installing next, react, and react-dom:Ĭreate a new project folder: mkdir NextProjects and enter that directory: cd NextProjects. Doing so will significantly slow down your install and build times. Be careful not to install NodeJS or store files that you will be working with on the mounted C drive ( /mnt/c/Users/yourname$). To open this directory in Windows File Explorer, open your WSL command line, select your home directory using cd ~, then enter the command explorer.exe. Installing a Linux distribution with WSL will create a directory for storing files: \\wsl\Ubuntu-20.04 (substitute Ubuntu-20.04 with whatever Linux distribution you're using). We recommend using the Windows Subsystem for Linux when working with NodeJS apps for better performance speed, system call compatibility, and for parity when running Linux servers or Docker containers. Install Node.js on WSL 2: This includes a version manager, package manager, Visual Studio Code, and the Remote Development extension.You can check this by opening PowerShell and entering: wsl -l -v Install Windows Subsystem for Linux (WSL), including a Linux distribution (like Ubuntu) and make sure it is running in WSL 2 mode.Install the latest version of Windows 10 (Version 1903 , Build 18362 ) or Windows 11.This guide assumes that you've already completed the steps to set up your Node.js development environment, including: To learn more about React and other JavaScript frameworks based on React, see the React overview page. These "universal" server-rendered web apps are also sometimes called “isomorphic”, meaning that code is shared between the client and server. It is basically a project boilerplate for React, crafted with attention to best practices, that allows you to create "universal" web apps in a simple, consistent way, with hardly any configuration. Next.js is a framework for creating server-rendered JavaScript apps based on React.js, Node.js, Webpack and Babel.js. A guide to help you install the Next.js web framework and get up and running on Windows. |